In “Bronze”, Liz Rodda employs diverse media to reflect on our physical relationship to the sun and materials surrounding the contemporary body. In “Rubbings,” she treats large sheets of paper with self-tanning solutions and uses drawing sticks to record the textures of household objects, such as credit cards and combs. “Jacuzzi” includes a found video of a showroom spa cycling through its jet speeds and light features, devoid of bodies to experience the relaxing sensations. “Transfer”, a video of a sunset from a train window, is reflected off Rodda’s laptop screen and covered in her fingerprints, distorting and blurring the picture. “Bronze” builds off Rodda’s long-standing exploration of the relationships between bodily presence, transference, and image circulation.